Return-Path: X-Processed-By: Virex 7 on prxy.net X-Real-To: stagecraftlist [at] theatrical.net Received: by prxy.net (CommuniGate Pro PIPE 4.2) with PIPE id 4517610; Sun, 26 Sep 2004 03:01:05 -0700 X-ListServer: CommuniGate Pro LIST 4.2 List-Unsubscribe: List-ID: Message-ID: From: "Stagecraft" Sender: "Stagecraft" To: "Stagecraft" Precedence: list Subject: Stagecraft Digest #144 Date: Sun, 26 Sep 2004 03:00:52 -0700 MIME-Version: 1.0 Content-Type: text/plain; charset="ISO-8859-1" Content-Disposition: inline X-Spam-Status: No, score=-3.2 required=5.0 tests=ALL_TRUSTED,BAYES_00, MAILTO_TO_SPAM_ADDR autolearn=ham version=3.0.0-pre4 X-Spam-Level: X-Spam-Checker-Version: SpamAssassin 3.0.0-pre4 (2004-08-04) on prxy.net X-prxy-Spam-Filter: Scanned X-TFF-CGPSA-Version: 1.4a3 For info, archives & UNSUBSCRIBE, see --------------------------------------------------- Stagecraft Digest, Issue #144 1. Re: Juliat Followspots by "Tony Deeming" 2. Re: Commodore by Charlie Richmond 3. Re: Flouescents by "Paul Guncheon" 4. Re: revolving door problem by "Scott Boyle" 5. Re: Revolving Doors by "Paul Guncheon" 6. Re: lamp life (was Re: lightbulb) by MPTecDir [at] aol.com 7. Re: Commodore by "Harold Hallikainen" 8. Re: Color scrolls... by "Jason Cowperthwaite" 9. Re: No light Flourescent Lights by CB 10. Re: lamp life (was Re: lightbulb) by Stephen Litterst 11. Re: Commodore by Kåre Olai Lindbach 12. Re: Commodore by "Harold Hallikainen" 13. Re: Commodore by Kåre Olai Lindbach 14. Re: lamp life (was Re: lightbulb) by Greg Bierly 15. An Italian Job needed by "Frank E. Merrill" 16. Re: No light Flourescent Lights by MissWisc [at] aol.com 17. Re: An Italian Job needed by John McKernon 18. Re: Juliat Followspots by June Abernathy 19. Re: An Italian Job needed by Eddie Kramer 20. Re: No light Flourescent Lights by Eddie Kramer *** Please update the subject line of your reply to use the subject *** line of the message you are replying to! Please only reply to *** one message subject in each reply. ---------------------------------------------------------------------- Message-ID: <004c01c4a2e7$23071bb0$0a01a8c0 [at] Tony> From: "Tony Deeming" References: Subject: Re: Juliat Followspots Date: Sat, 25 Sep 2004 11:05:02 +0100 ----- Original Message ----- From: "Greg Persinger" To: "Stagecraft" Sent: Saturday, September 25, 2004 4:42 AM Subject: Re: Juliat Followspots > For info, archives & UNSUBSCRIBE, see > --------------------------------------------------- > > Jason wrote: > > You HAVE TO BE KIDDING! That's the worst follow spot that I have ever ran. I > > have ran follow spots for over 28 years in many configuration and would > > rather hold an old Altman by hand than use a Juliat followspot. > > Jason, > > Maybe the Juliat followspots are hard to run but the output is beautiful. > > I agree with Tony that there are some situations where they work incredibly > well as I have used them on several shows and a few short tours with > excellent results. > > Like everything there are pros and cons but I found that the good outweighed > the bad. > > > Greg Persinger Interesting.... Not sure what you mean about hard to run. With our Marius', the iris, the fade/shutter, the frost, the colour frames are all in easy reach and simple to use. I especially liked the rotary iris control as opposed to the traditional up/down lever. I have a wide variety of users (mainly amateurs) coming in on the spots, and last year my 15 year old niece came in, never touched a lime before but left after the first night working it like a good 'un! Ynot ------------------------------ Date: Sat, 25 Sep 2004 12:09:03 +0100 (BST) From: Charlie Richmond Subject: Re: Commodore In-Reply-To: Message-ID: References: On Sat, 25 Sep 2004, Kare Olai Lindbach wrote: > Well, from one who used the Microstar (*) application on an Apple II > around 1980, I was just wondering if it was a functional lighting > desk. What you describe make me think about a prosess-running > application reading from ex. a manual prepared file. Not that that is > any bad, but the complexity of a lightdesk lies in those > user-interative functions. True - it was not a lighting desk nor did it try to be one with no control surface and 16,000 channels ;-) It was a mouse based graphical interface that handled integrated programmable chases while the channels faded up and down and dynamic assignment of hundreds of submasters and manual fade rate controllers as well. It was extremely comprehensive and had thousands of virtual controls which would have been bewildering for an operator to control live.... > And the Amiga is a far more advanced machine than the Apple II. (I Some say it is still more advanced than Windows ;-) Emulator software is still available that runs on Wintel machines. > necessary hardware: one or more I/O-cards on the internal card-bus, > outputting 0 to +5/+10/-10V0 or something similar. Our system used a single card in the internal computer bus that connected to any number of local or remote card frames via a 32 bit parallel ribbon cable and/or 100Mb/sec fibre optic link that could be daisy chained for stretches of up to 2km each link. The volcano at the Mirage still uses one of these systems AFAIK - but they have been talking about replacing it for a long time because they have been worried that the Amiga has been 'obsolete' for 10 years or so... Charlie. + Charlie Richmond - Richmond Sound Design Ltd - Aura Show Control Ltd + + http://www.RichmondSoundDesign.com -- http://www.AuraShowControl.com + +---- "Performance for the Long Run" ----- "Creativity in Control" ----+ +------ To get info or join the Show Control Mailing List go to: ------+ +----------- http://www.RichmondSoundDesign.com/sclist.html -----------+ +---------------- AudioBox user group discussion list: ----------------+ +----------- http://www.RichmondSoundDesign.com/ablist.html -----------+ "Let distribution undo excess - And each man have enough" - King Lear ------------------------------ Message-ID: <002801c4a313$cee55a60$0202a8c0 [at] MyLastPC> From: "Paul Guncheon" References: Subject: Re: Flouescents Date: Sat, 25 Sep 2004 05:24:53 -1000 Hey Kids, > > I am using some 24" and 36" flourescent fixtures in a custom display for a > trade show. The 24" units work just fine and coincidentaly have a little > round "starter" in the circuit. > > The 36" units are the problem. When they are turned on, they will not > actually light up until I touch the lamp tube with my hand. This is under > normal circumstances a pita, but since these units are completely enclosed > in the cabinet, it is a disaster. I have tried some slightly used fixtures > as well as some brand new ones. The 36" units don't have a "starter" and > have a much larger ballast. > > So far I have gotten advice to check line voltage, (have not done it yet but > has always been fine in the past) and to rub the lamp with the comic pages > from the Sunday paper. After I do that, should I go rinse the dust off of > all of the gel in the cabinet? Try adding a ground wire. Or buy fixtures that work. As I remember, they didn't work right out of the box. Laters, Paul "I'll try and dig it up for you," Tom said gravely. ------------------------------ From: "Scott Boyle" Subject: RE: revolving door problem Date: Sat, 25 Sep 2004 10:34:25 -0500 Organization: Carroll College Message-ID: <000701c4a315$24089740$73db688c [at] cc.edu> In-Reply-To: >>Tracy wrote: >>Yes, -- fixed casters aligned perpendicular to a radius of the circle. >>You really need to brace that pipe quite extensively for this to work. >>One possibility might be to mount a longer piece of pipe somewhere below >>the stage floor and just have it extend through the stage floor through >>a very tightly fit hole. That would help to brace the bottom which >>would reduce the wobble further up. I like to use UHMW pads under the door frame itself. I've found most casters which are small enough to do the job and be fairly unobtrusive, are loud and squeaky. Scott ------------------------------ Message-ID: <002901c4a315$5c70bef0$0202a8c0 [at] MyLastPC> From: "Paul Guncheon" References: Subject: Re: Revolving Doors Date: Sat, 25 Sep 2004 05:36:00 -1000 <> Quick response: I did this before... only had 3 doors in the unit. The doors were connected to each other edgewise. There was a12" round plate centered at the top and bottom of the unit which gave the doors stability. Each door had a single swivel caster (normally I would use a straight caster for any rotating unit but this one traveled in a track that turned many corners on stage). In your case, I would recommend considering the center "post" as for alignment only... or eliminate it and attach the doors directly to each other... offsetting them by their thickness to allow you to screw thought the face of one into the edge of another. Laters, Paul "My stereo is working great now," said Tom ecstatically. ------------------------------ Date: Sat, 25 Sep 2004 12:03:19 -0400 From: MPTecDir [at] aol.com Subject: Re: lamp life (was Re: lightbulb) Message-ID: <3A0BAFCB.2D4C1890.00740ECC [at] aol.com> Eddie Kramer wrote: ............Remember Lamp Life = (Rated Life)x((Rated Voltage)/(Applied Voltage))^12 that is Rated Voltage divided by the Applied Voltage to the 12 power. Or for a 10% reduction in voltage, there is about a 350% increase in lamp life ......... Eddie, Does this hold true for halogen lamps?? I have always been told, please correct me if I'm wrong, that the halogen cycle depended on maintaining at least a minimum lamp temperture. Below that temperture the cycle didn't work and lamp life was shortened. I remember being told at one time that, if one has a show with a lot of low intensity scenes, it was good practice to give those lamps a 10-15 min warm up at full durring lamp check to "restore the halogen cycle condition". Is this true or false or somewhere inbetween?? Any thoughts or info? -- Michael Michael Powers, Technical Director U Mass Amherst, Dept of Theatre 112 Fine Arts Center West 151 Presidents Drive Ofc 2 Amherst, MA 01003-9331 Phone: 413-545-6821 Fax: 413-577-0025 http://www.umass.edu/theater/ mfpowers [at] theater.umass.edu mptecdir [at] aol.com ------------------------------ Message-ID: <1372.192.168.1.1.1096134296.squirrel [at] kauko.hallikainen.org> In-Reply-To: References: Date: Sat, 25 Sep 2004 10:44:56 -0700 (PDT) Subject: Re: Commodore From: "Harold Hallikainen" Regarding MicroStar > > (*) I still have a lieflet lying around, and a copy of the > application. Those were free, as nowadays, the price was put into the > necessary hardware: one or more I/O-cards on the internal card-bus, > outputting 0 to +5/+10/-10V0 or something similar. > Dove Systems bought West Star, the manufacturer of the MicroStar. I still have an Apple II in my office with a MicroStar in it. Dove then developed the StarCard, which plugged into the ISA bus of IBM PC compatible computers. I then ported the StarCard software over to work with the StarPort that plugs into the printer port of a PC. A preliminary Windoze application for the StarPort is now shipping. A USB StarPort is about to start shipping. Harold -- FCC Rules Online at http://www.hallikainen.com ------------------------------ From: "Jason Cowperthwaite" Subject: RE: Color scrolls... Date: Sat, 25 Sep 2004 13:55:50 -0400 Message-ID: <00b801c4a328$e7aed2f0$0200a8c0 [at] randland> In-Reply-To: We'll be making 18 strings for Chroma-Q's. Jason Cowperthwaite -----Original Message----- From: Stagecraft [mailto:stagecraft [at] theatrical.net] On Behalf Of seanrmc [at] earthlink.net Sent: Friday, September 24, 2004 9:18 PM To: Stagecraft Subject: Re: Color scrolls... For info, archives & UNSUBSCRIBE, see --------------------------------------------------- Jason: How many are you making, and for what kind of scroller? I dare say it may be MUCH more cost and time effective to have them built for you. Not trying to discourage you at all--just trying to keep things in perspective. --Sean Sean R. McCarthy seanrmc [at] earthlink.net > ----- Original Message ----- > From: "Jason" > To: "Stagecraft" > Sent: Friday, September 24, 2004 4:30 PM > Subject: Color scrolls... > > > > Hey folks, > > > > I am finding myself needing to make custom scrolls for a show I am working > > on. Never having done this myself, i am looking for help, advice, > > whatever on how to do this properly, what supplies i should get, tips for > > success, etc. > > > > thanks in advance, > > > > Jason Cowperthwaite > > Lighting/Audio Coordinator > > Greenberg Theatre - American University ------------------------------ Message-Id: <3.0.6.32.20040925120625.0196cfb0 [at] pop.west.cox.net> Date: Sat, 25 Sep 2004 12:06:25 From: CB Subject: RE: No light Flourescent Lights >If I had a problem and somebody suggested that I "rub the lamp" to solve = >it, I would probably assume they were having some fun with me... As it was explained to me, particulates and some films on the tube itself would carry some of the voltage on the surface (?), and cleaning it off would make the lam work properly. Never did do the research, but the lamps worked after I cleaned them, so I didn't much care why. Chris "Chris" Babbie Location Sound MON AZ Delete key training and post trimming done by appointment. Rates negotiable, will trade for typing lessons/ADD treatment... ------------------------------ Date: Sat, 25 Sep 2004 15:48:05 -0400 (EDT) From: Stephen Litterst Subject: Re: lamp life (was Re: lightbulb) In-reply-to: Message-id: <1679.172.136.161.191.1096141685.squirrel [at] 172.136.161.191> References: Michael mused: > --------------------------------------------------- > Does this hold true for halogen lamps?? I have always been told, please > correct me if I'm wrong, that the halogen cycle depended on maintaining at > least a minimum lamp temperture. Below that temperture the cycle didn't > work and lamp life was shortened. The Halogen Cycle does depend on a minimum lamp temperature. However, a 10% reduction in intensity shouldn't effect the Halogen cycle. According to this page (http://jamesc.net/bartlett-lighting/L02-sources.html) the T-H cycle requires a minimum wall temperature of 250 deg Celcius. Steve Litterst ------------------------------ From: =?ISO-8859-1?Q?K=E5re_Olai_Lindbach?= Subject: Re: Commodore Date: Sat, 25 Sep 2004 22:16:04 +0200 Organization: LLP Message-ID: References: In-Reply-To: On Sat, 25 Sep 2004 10:44:56 -0700 (PDT), you ("Harold Hallikainen" ) wrote: >Dove Systems bought West Star, the manufacturer of the MicroStar. I still >have an Apple II in my office with a MicroStar in it. Dove then developed >the StarCard, which plugged into the ISA bus of IBM PC compatible >computers. I then ported the StarCard software over to work with the >StarPort that plugs into the printer port of a PC. A preliminary Windoze >application for the StarPort is now shipping. A USB StarPort is about to >start shipping. Thanks alot for this interesting info. Do you say there is a PC-compatible version of that application? Is there a free demo available? (I cannot find anything on www.dovesystems.com). (I have no old Apple available, and would love to see the product again) -- mvh/Regards Kåre Olai Lindbach (News: Remove '_delete_' and '.invalid') (HTML-written email from unknown will be discarded) ------------------------------ Message-ID: <3648.192.168.1.1.1096144826.squirrel [at] kauko.hallikainen.org> In-Reply-To: References: Date: Sat, 25 Sep 2004 13:40:26 -0700 (PDT) Subject: Re: Commodore From: "Harold Hallikainen" Cc: harold [at] dovesystems.com I believe the DOS version of the StarPort software is a derivative of the MicroStar software. I'll see if I can email you a copy on Monday. Harold > For info, archives & UNSUBSCRIBE, see > --------------------------------------------------- > > On Sat, 25 Sep 2004 10:44:56 -0700 (PDT), you ("Harold Hallikainen" > ) wrote: > >>Dove Systems bought West Star, the manufacturer of the MicroStar. I still >>have an Apple II in my office with a MicroStar in it. Dove then developed >>the StarCard, which plugged into the ISA bus of IBM PC compatible >>computers. I then ported the StarCard software over to work with the >>StarPort that plugs into the printer port of a PC. A preliminary Windoze >>application for the StarPort is now shipping. A USB StarPort is about to >>start shipping. > > Thanks alot for this interesting info. > > Do you say there is a PC-compatible version of that application? > Is there a free demo available? > (I cannot find anything on www.dovesystems.com). > > (I have no old Apple available, and would love to see the product > again) > > > -- > mvh/Regards Kåre Olai Lindbach > (News: Remove '_delete_' and '.invalid') > (HTML-written email from unknown will be discarded) > -- FCC Rules Online at http://www.hallikainen.com ------------------------------ From: =?ISO-8859-1?Q?K=E5re_Olai_Lindbach?= Subject: Re: Commodore Date: Sat, 25 Sep 2004 23:32:09 +0200 Organization: LLP Message-ID: References: In-Reply-To: On Sat, 25 Sep 2004 13:40:26 -0700 (PDT), you ("Harold Hallikainen" ) wrote: >I believe the DOS version of the StarPort software is a derivative of the >MicroStar software. I'll see if I can email you a copy on Monday. Thanks alot. -- mvh/Regards Kåre Olai Lindbach (News: Remove '_delete_' and '.invalid') (HTML-written email from unknown will be discarded) ------------------------------ In-Reply-To: References: Message-Id: <2DC7C045-0F6F-11D9-95DA-000D936BFA94 [at] dejazzd.com> From: Greg Bierly Subject: Re: lamp life (was Re: lightbulb) Date: Sat, 25 Sep 2004 22:50:16 -0500 > Does this hold true for halogen lamps?? I too have have been told about the halogen cycle but I have my halogen houselights dimmed to 90 percent and have gotten about 7 times the life out of them. Not a scientific study, just an observation. Greg Bierly Technical Director Hempfield HS ------------------------------ Date: Sat, 25 Sep 2004 22:14:26 -0500 From: "Frank E. Merrill" Message-ID: <1038894112.20040925221426 [at] TCON.net> Subject: An Italian Job needed Hello All! I have a customer interesting in purchasing at least one of the following luminaires: INSEGUIPERSONE 575 POWER 115v 60Hz LAMP HMI 575w G5 FUSE 10A SOCKET SFC 10-4 MADE IN ITALY PROEL LIGHTING Hey. I don't editthe information, I just write down what the guy was reading from the tag on the machine as he delightedly hung by his toenails in the projection booth. Kindly advise a purchasing souce. Inasmuch I'm a dealer, I'd prefer buying from the guy that brings them in from Italy rather than the third middle man down, thank you. Best regards, Frank E. Merrill MERRILL STAGE EQUIPMENT Established 1946 Indianapolis 317: 255 4666 Running The Bat! Natural e-mail system v3.0 mailto:Lamplighter [at] TCON.net ------------------------------ From: MissWisc [at] aol.com Message-ID: <199.2ee27cfc.2e879621 [at] aol.com> Date: Sat, 25 Sep 2004 23:48:49 EDT Subject: Re: Re: No light Flourescent Lights Cc: psyd [at] cox.net In a message dated 9/25/4 1:52:04 PM, psyd [at] cox.net wrote: <> Ya made the "Jeannie" in it very happy! <> Deepest hanks to whom ever posted about the grounding problem with flourescents. We'd been having trouble with the fixture in our bathroom for about a month - sometimes it would come on OK, sometimes flicker. I tried touching the lamp and dusted it with a dry cloth and nothing happened. I pushed the GFCI reset botton on the wall circuit (the entire bathroom is one circuit AFAIK) and the thing popped on. Gonna have a better electrician than I come look at it, but I can at least brush my teeth in light now! Kristi ------------------------------ Date: Sun, 26 Sep 2004 00:08:32 -0400 Subject: Re: An Italian Job needed From: John McKernon Message-ID: In-Reply-To: > INSEGUIPERSONE 575 > POWER 115v 60Hz > LAMP HMI 575w G5 > FUSE 10A > SOCKET SFC 10-4 > MADE IN ITALY PROEL LIGHTING Proel Lighting has a web site (www.proelgroup.it), but unless you speak Italian you'll probably be as lost as I was looking at it. In any event, it looks like "Inseguipersone" is a descriptive term for a category of light, not a particular model. Someone on the list must have a copy of Theatre Words, that probably has a translation for it. Good luck! - John McKernon ------------------------------ Message-ID: <20040926043420.33925.qmail [at] web14126.mail.yahoo.com> Date: Sat, 25 Sep 2004 21:34:20 -0700 (PDT) From: June Abernathy Subject: Re: Juliat Followspots I have used a couple of different types of Juliats - the Margo and the larger Aramis in a couple of configurations. Lighting designers that I've talked to all love them, for several good reasons. For one thing, they give an incandescent light, which blends with stage lighting well. They are light and easy to carry, and they typically use a camera tripod, which is also easier to fold and transport than most standard stands. They have a place where you can insert a frost that you can flip in and out without sacrificing a color frame. Several models have modular slots in the back that allow you to insert accessories like a gobo or even a twinspin or lobsterscope type deal. On the other hand, there are drawbacks. They have expendable reflectors, which, in my admittedly limited experience, don't last very long, and must be replaced. The time and expense must be considered. The stands are light and easy to move, but sometimes too light, and they tend to rock or slide. The wiring is European, so make sure of your colors before you throw a connector on there. Some models can be set for either 110 or 220 operation, and you need to be careful when you rearrange your wiring for that. The color frames are at the front of the lamp, and they either roll out of the lamp to one side, or drop down below the lamp housing when not in use, depending on the model you are using, which can create some issues with space. The frames themselves are larger than the frames used by a Supertrouper or a Lycian spot, and yet, the handles for the color are about half the size of these other models. What does that mean? Well, you have to push down hard, and particularly since you're at the nose of the lamp, it's quite difficult to do this without moving the lamp, unless your other hand is free to steady it. So, your other hand can't be busy following somebody, or irising, or dousing, or anything. Speaking of these other controls, the douser on most of the models that I've seen have been a little knob on the side of the unit, near the yoke. On the Margo, it was so near the yoke that if the lamp is depressed at all (and it usually is) the douser will actually go behind the yoke, and be impossible to reach. Also, it was behind the carry bar on the side of the lamp, making it that much more awkward to get to. The little knob itself was perfectly round with no pointer or indicator, making it hard to mark intensities. On the Artemis, you either have a similar knob, or a slider, which is actually an electronic douser, meaning that it has a bit of lag time in responding that you have to get used to. This model had a blackout button at the bottom of the slide, and a bump to full button at the top of the slide. These were painfully easy to hit, and you almost never wanted to. The slider, BTW, is still located on the side by the yoke. The iris is a lever handle, toward the back of the lamp on the side. This arrangement makes it very difficult to do any two (much less three) operations (iris, douse, color change) at one time - or, frankly, to do any of these operations and follow at the same time. And, in many of the shows I've done, it is really necessary to be able to do several of these things simultaneously. None of this is insurmountable, of course. If you have time to get used to them, and maybe make a few simple modifications, they can be great. If you have a bunch of different operators all the time, you might want to beware the learning curve. Personally, I bought a new pointed indicator for my douser on the Margo, and pulled the front carry bar off to reach it. On the electronic Artemis, I covered the bump buttons on the electronic douser with little plastic box lids to prevent hitting them accidentally. For the stands, I did what camera guys do - I bought a sandbag and attached it to the chains of the stand for stability. And, in every stop where I used the Juliats, I tried to give the guys extra time to get familiar with the lights. These lights can be great - but you should consider the operational hassles as well as the light output and the price when you are lamp shopping. The best light in the world can look like crap if the operator is in hell. FWIW - June Abernathy IATSE #321 (Tampa, FL) FOH Electrician The Lion King National Tour (Gazelle) _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com ------------------------------ Message-Id: In-Reply-To: References: Date: Sun, 26 Sep 2004 00:39:17 -0400 From: Eddie Kramer Subject: Re: An Italian Job needed Re: An Italian Job needed
On   9/25/04   Frank E. Merrill   sent:

Kindly advise a purchasing souce.

Try;


Proel USA Inc.
Tel:  915 591 5848
Fax  915 591 5849
TOLL FREE 1-877-PROELUS

or


Eddie
-- 
--------------------
Eddie Kramer  IATSE #1     Member NEC Panel 15           
------------------------------ Message-Id: In-Reply-To: References: Date: Sun, 26 Sep 2004 01:00:55 -0400 From: Eddie Kramer Subject: Re: No light Flourescent Lights On 9/25/04 MissWisc [at] aol.com sent: > I pushed the GFCI reset >botton on the wall circuit (the entire bathroom is one circuit AFAIK) and the >thing popped on. Gonna have a better electrician than I come look at it, but >I can at least brush my teeth in light now! Kristi - DANGER If the GFI triped (you pushed the reset button and got the light to work) it sounds like the GFI was put in wrong (hot and neutral are reversed), and it may not work right. (It's NOT working wright, if it was, the light wood not work at all) The electricity in your bathroom is unsafe please go back to using it in the dark, and please, please do not use any hair driers in there untill the electrician can look at it. Eddie -- -------------------- Eddie Kramer IATSE #1 Member NEC Panel 15 ------------------------------ End of Stagecraft Digest #144 *****************************